The Notebook
Takeda showed me the log on my second night. It was a school notebook, the cheap kind with a red cover, and it lived on a shelf above the hand-sorting bench where the machine could not reach it.
“Anything the machine spits out, you write here,” he said. “Address, size, time. Then it goes in the tray.”
I asked him what happened if I forgot one.
He was fitting a new liner into the bin at his knee and he did not look up. “Don’t forget one.”
The Kamishiro sorting centre ran two shifts. Days did the volume and nights did the rest — the parcels wrapped in twine, the letters with the address written down the side instead of across, anything too thick or too soft for the OCR machine to read. The machine could do nine thousand an hour. It could not do a padded envelope with a hand-drawn map on the front, and there were always four or five of those, and they went to the bench, and the bench was mine from ten at night until the first train at 5:12.
For three weeks it was the easiest money I had ever made.
The Envelope
It came through on a Thursday. Brown, unpadded, a little larger than B5, addressed in blue ballpoint to 3-14-2 Nishimachi. Nothing unusual about it except that I was seventeen hours into a day that had started with a seminar, and my hand was already on the tray when I realised I had not written it down.
The notebook was two steps away.
I put the envelope in the tray anyway.
That is the whole of it. That is the entire thing I did wrong, and I want to be clear that I did not think about it afterward, not once, not until the following Tuesday when Takeda came in early and stood at the bench with the log open and asked me what 3-14-2 was.
“Nishimachi,” I said. “Last week sometime.”
“There’s no 3-14-2.”
3-14-2 Nishimachi
The municipal notice had been taped inside the door of the break room for eleven days. None of us read the things.
Notice of house-lot renumbering — Nishimachi 3-chome. Lot 14 shall be designated 13-B. Lots 15 through 18 shall each be reduced by one. Effective from the 12th. This correction addresses a long-standing clerical error in the register.
Takeda read it with me twice. Then he went back out to the floor and finished the shift, and at 5:12 he walked to the station with me instead of taking his bicycle, and on the platform he told me about a house in Sakuradai that had gone the same way in 2005.
“The log isn’t a record,” he said. “I thought it was, for about a year.”
I did not understand him and said so.
“The post office decides where people live. Not officially. Officially the city does, the city keeps the register, and the register is correct because the register is the register.” The train was two minutes out. “But the city updates from the delivery data. And the delivery data comes from what we write. There’s no other list. Whatever’s in that notebook is what exists.“
“That’s not how anything works.”
“No,” he agreed. “It isn’t.”
One In, One Out
I went home and slept badly and came back at ten and wrote the entry in.
3-14-2 Nishimachi — brown envelope, non-standard, 23:40.
I dated it eleven days back, which was a falsification of a company document, and I remember weighing that against the alternative for about as long as it takes to uncap a pen.
The correction notice went up on Thursday. Nishimachi 3-chome renumbered again, 13-B restored to 14, the four houses above it moved back, clerical error, apologies for the inconvenience.
And 3-14-5, which had been there the whole time, which had been there in 2005 and in 1998 and on the pre-war fire insurance map framed in the city office lobby, was not on the new notice at all.
I checked the delivery walk sheets for the past month. Nothing for 3-14-5. Nothing the month before that either. I went out there on the Saturday and stood in front of a two-storey house with a blue tile roof and a citrus tree in a pot by the step, and the plate by the gate said 3-14-4, and the next plate down the street said 3-14-6, and between them was a house with no number and a woman hanging washing on the second-floor balcony who looked at me until I left.
Takeda was not surprised. He asked me how many entries I had written that night and I told him one.
“One in, one out,” he said. “It’s been that way since I started. I used to think if you wrote more, you’d get more, but it doesn’t take more. It takes what it takes.”
So there is a number. Kamishiro has a number of addresses and it has had that number since before either of us was born, and the notebook on the shelf above the hand-sorting bench is where the number gets spent.
I am still on nights. Takeda left in the spring — he had a child coming and days pay less but you see them — and now it is me who trains the new ones, and I show them the notebook and I tell them to write down everything the machine spits out.
None of them ask what happens if they forget one. They are nineteen and tired and the money is easy.
I write every item. All of them, every night, even the ones I am fairly sure are a prank or a mis-drop, because the alternative is to decide, and I have decided once already and a woman on the second floor of a house with no number knows my face.
What I have never worked out is who spent the number before there was a sorting centre. Kamishiro has been here four hundred years. The machine was installed in 1994.

